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Architecture Week – Blending the Old with the New

 

Original sandstone exterior of the Blue Magnolia

Modernising Heritage Buildings

It’s always a bit of a challenge in Tasmania to retain the historic charm of a place, yet still make it user -friendly and adapted to modern living. People are busy. Both men and women work outside the home. We need our washing machines, our dishwashers and indoor bathrooms. When we come home we want to relax with our computers and televisions. 

One of the few places I managed to visit during this year’s Architecture Week which ran from late October to mid-November, was the “Blue Magnolia," once part of a conjoined pair of sandstone row houses in an internal block dating from the 1840s. Sadly, not many of their contemporaries have survived because they were knocked down over the years as the city expanded. 

Subtraction and Addition 

This pair had already undergone an unsympathetic renovation in the 1980s. The buildings had been partially merged into one and many of their original features such as the second doorway and one of the staircases had already been removed. The latest renovation merges them into a single property and includes a plain dark timber addition which sets off the warm tones of the old stonework.

Part of the New Addition

-Image courtesy of Rosa Douramanis

Architect Rosa Douramanis explains, 

"The two row houses were not fully merged prior to this project. There was only one access point at the ground level, located on one side of the central fireplace. The other side was opened up to create a more open space and allow for more light. 

Upstairs, the area next to the void (where the original upper-level staircase was located) contained a small bedroom enclosed by walls on either side of the chimney, along the staircase  and the small corridor at the stair landing. The door and walls to the larger bedroom were also removed to create a more free-flowing, light-filled space that now functions as a changing area and a small sitting area as well as allowing for a free flowing open access to the new bedroom."

Where walls have been opened up, you can see how very small and dark the individual dwellings would have been, though the high ceilings are now used to great effect, with the skylights not only letting light,, but glimpses of nature. 

The remaining stairway had been particularly narrow and gloomy, so architect Rosa Douramanis, opened it right up with a dramatic staircase in light wood and a skylight overhead. In the former loft it meets the rich dark timber of the solid original  flooring. A spacious if somewhat austere bathroom flanks the far side of the bedroom.  

Light floods in above the stairwell

-Image courtesy of Rosa Douramanis

Storage and change area near the top of the stairs 
 

A comfortable bed awaits on the other side
 
Another skylight illuminates the bathroom which also features a bath. Elemental properties - wood and  stone predominate, along with that ever -changing sky

Style and Comfort

In the lounge immediately below there was casual, colourful furniture, not at all what I expected, but not so precious that you didn’t dare to relax in it  either, and complemented by a few well -chosen pieces. The owners chose their own furniture. It is an Air B & B after all, not a museum. 

The furniture in the lounge below immediately made me smile and think "family room." Having travelled extensively with children, I almost breathed a sigh of relief  

There is a somewhat more formal lounge on the other side of a dividing wall in what would have been the lounge of the second cottage. To the right of the entrance in the new addition, there is a spacious, if spare farmhouse -style kitchen with all necessities, if few frills. Double glass doors opened up to an outdoor eating area off to one side, again allowing for glimpses of green. 

 With it's thick walls and being set back from the street behind other buildings, the interior was quiet and restful, despite being almost in the inner city. The giant eucalyptus tree outside contributed to the country feel and air of permanence, it's grey green foliage set off the golden glow of the sandstone and made it unmistakably Australian.
Great to have the architect on site to explain what how it was and what was done. Thank you Rosa!

No AI was used in the making of this post and no whales were harmed.

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